prores vs dnxhd. On my desktop its little difference, on my laptop its a huge difference (but thats with full quality files, proxies fun about the same). prores vs dnxhd

 
 On my desktop its little difference, on my laptop its a huge difference (but thats with full quality files, proxies fun about the same)prores vs dnxhd  Apart from ProRes formats it also offers DNx

Hello, we have an issue on the Premiere cc 2018 and Media Encoder. Wildly used in post: higher compression for editing and lower for finishing. I recently g. mov is just a wrapper, and the CODEC inside the wrapper dictates how it performs. In this video I compare the apple prores and DNxHD codecs on my Atomos Shogun recorder. DNxHR and ProRes was optimized to be visually lossless through many generations of decoding and re-encoding. ProRes is not a singular thing, though. 265 would retain more data than ProRes, but I was surprised that it does so well with just 1/5 the data. For lossless source videos, the Apple ProRes is a good choice. Since we don't have ProRes rendering on Windows, I expected to see at least DNxHR and hopefully CineForm as proxy formats, but on Windows we only get H. Those codecs also support many features (RAW,. . On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. There is prores 4444 variant as well, but I don't think it's supported by ffmpeg yet (for decoding either) ffmpeg's dnxhd encode is 8bit version, but it looks like the prores encode is the true 10-bit. ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 4320p60. Calculate the disk space taken up by over 75 codecs including ProRes, Animation, ARRIRAW, DNxHD, XDCAM and DPX. Exporting out of one generation (camera originals) of H. 264/H. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. That's not to say something weird isn't going on. n Apple ProRes RAW is not yet supported n Export of Apple ProRes SD MOV is not supported. I create Apple ProRes 422 Proxies (all same settings except. And within a given codec there can be multiple options offered (ProRes Proxy, ProRes LT, ProRes, ProRes HQ, ProRes 444) which will can greatly change the size of your resulting file. Next, click on the button “Format Options”. Meaning that all frames are complete data-sets for that frame. It all comes down to your OS, and whether you have to share the files with broadcasters (in which case I would use DNX as a lot of editors use Avid). Neil. PR422 is 10 bit. The DNxHD ("Digital Nonlinear Extensible High Definition") and DNxHR ("Digital Nonlinear Extensible High Resolution") are lossy video codecs that are intended to be usable as both an intermediate format suitable for use while editing and as a presentation format. L. DNxHD – DNxHD is Avid’s intermediate CODEC. ProRes, Cineform, and DNxHD/R were pretty close to each other and WAY ahead of. Author; Message; Steve DiMaggio. Avid Media Composer 6 and higher can also wrap ProRes in an MXF wrapper. At this point in time working with Cineform basically locks you into using only Adobe tools. . RGB outputs look correct on my MAC at work, but they look super light on my PC at home, whereas 709 outputs look correct on my PC but severely. Playback only of ProRes 4444 QuickTime up to 2160p60 with auto routing of fill and key over SDI A and B outputs. ProRes 422: This is the format I recommend for anyone shooting DSLR, HDV, AVCHD, XDCAM EX, XDCAM HD, AVCAM, or P2. As a result, ProRes 422 offers even better real-time editing performance. Here is some blind test 'AVC-Intra 100 vs H. Similar to 4444 XQ, this codec delivers a lossless alpha channel up to 16 bits. Click OK. On the ProRes side everything from ProRes Proxy to ProRes HQ is 10-bit. Jello cam is greatly reduced, exposure latitude and exposure control is much better. DNxHD data is typically stored in an MXF container, although it can also be stored in a QuickTime container. You might try transcoding your 4K footage to 720p ProRes proxies. ProRes Proxy is especially bad. 7K (Apple ProRes 422 LT). These are some of the possibilities: 23. Media Express MJPEG vs DNxHD/ProRes bitrates? So I've pretty much given up trying to troubleshoot why I'm getting crackling audio when capturing DNxHD with a Intensity Shuttle thru Resolve (w/ 6 ch. Offers nearly all the benefits of ProRes 422 HQ but at only 66% of the data rate. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. The HR codecs just remove the number and the HD limitation. Similar to ProRes, DNxHD comes in different profiles. Comparing Apple ProRes LT, 422, HQ vs Avid DNxHR LB, SQ, HQ, HQX. Indeed, I think we discussed some of the possibilities of why that may be happening. DPX vs ProRes4444 for VFX. Codec MP4. Re: transcode vs optimize media UHD H. In the current version of Resolve for Windows, is speed/performance using the above ProRes levels similar to the DNxHD & DNxHR counterparts? Or, if performance is significantly better working with DNxHD. Hallo Mike, for Apple ProRes and Windows your Software Company need a deal with Apple. It will help you determine how much room you need in order to create an effective and professional-looking video. Trade your iPhone in for one that shoots ProRes. Even custom 3rd party PC Prores decoders aren't as fast as native Mac PR decoders. Upvote Translate. Click to open the Video encoder drop-down list and select your wanted ProRes type: ProRes 422 HQ, ProRes 422, ProRes 422 LT, ProRes 422 Proxy, ProRes 4444 XQ, and ProRes 4444. These formats are referred to as intraframe formats, not interframe formats. Better detail and colour. Community guidelines. So the difference in file size and data rate is rather small (this was using DNxHD. It is not significant. In simple words, Apple ProRes codec is designed for post-production while H. Other Video Codecs. • 5 yr. Since I work on Windows machines most of the times, DNxHD and DNxHR are definitely better options for me, but I read some articles about CBR vs. Adding the original card to a project archive will be among the smaller files compared to ProRes, effects pre-renders, etc. Throughout the production pipeline you want to have as flat an image as you can get. I just use a drive dock, get the plastic drive boxes, and use 500GB or 1TB raw drives. 144. 1. This is a one-time activation for the life of the product. Exporting out of one generation (camera originals) of H. So different Prores levels (422 proxy, 422 LT, 422, 422 HQ, 4444) mean the quality/compression levels. Each one has a few quality levels. 265, where there are only complete. 264 SDI 4:2:2 10-Bit. On February 13, 2008, Avid reported that DNxHD was approved as compliant with the SMPTE VC-3. Source: I just mastered my doc using DNxHD. - Is it ok to use a H264 file to edit - or will this impact the final export quality? What about H265? What audio settings would you suggest - Linear PCM or AAC - in this current export file, to then use to. For work that needs grading but does not need Prores HQ, you will do well with Prores 422 or LT, or DNxHD SQ or LB. DNxHD vs. But I read an article somewhere a few weeks ago, it was a comparison between Prores, DnxHd and Cineform. You can select Apple ProRes when exporting as MOV or MXF OP1a. It's also a lot faster to encode than h. In my experience DNx does run better than Pro Res and encodes faster, but the difference isnt massive. 97 still no joy . To my understanding all DNxHD and DNxHR codecs are strict CBR, while the ProRes files are VBR. If not, it’s DNxHD/HR. Ia setara Apple ProRes di Final Cut Pro. If you are shooting H. If you're working on a project with a lot of footage, then Avid DNxHD may be a better choice due to its smaller file size. Codec differences DNxHR and ProRes was optimized to be visually lossless through many generations of decoding and re-encoding. Google failed me, and my lunch break is only that long. DNxHR files are available in a range of quality standards for different purposes: DNxHR LB – Low Bandwidth (8-bit 4:2:2) Offline Quality Choose an output folder and convert H264 to DNxHD. Votes. These formats are referred to as intraframe formats, not interframe formats. Pro res is similar to the old lossless hufyuv. Same files work fine in CC 2017 both Media Encoder and Premiere. MXF can hold pro res or a ton of other codecs. mov)" or "Avid DNxHD 720p (*. DNxHR 444. It’s most suitable for VFX work, Chroma Keying and heavy color grading manipulations. ProRes : Frame dimensions: Frame rate: Apple ProRes 4444 data rate: Apple ProRes 422 (HQ) data rate: Apple ProRes 422 data rate: Apple ProRes 422 (LT) data rate: Apple ProRes 422 (Proxy) data rate: 720 x 486: 23. ago. It changed to DNxHR when greater-than-HD resolutions happened. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. After that, you can hit Convert button to process the H264 to DNxHD conversion. Avid DNx. ProRes and DNxHD/R are codecs. Internally all Avid CoDecs use a fixed Gamma and limit the color ranges by default. 1. mkv -pix_fmt yuv422p10le -c:v prores_ks -profile:v 3 -vendor ap10 -an outputFile. 264 in an . Much like the H. Prores works better on a Mac. What Ed said. Cineform, DNxHD/HR, and ProRes are all cross platform, visually lossless, professional quality "mezzanine" (some editors refer to them as "intermediate") codecs. 168 he Avid DNxHR and Apple Prores codec families are designed to meet the needs of modern, streamlined post-production workflows. X Facebook Pinterest. Now it looks like it might be DNxHD 444 instead. Yes, the bitrates are higher for ProRes but that is because of the type of codec instructions in use, which are less processor intensive than H. ago. H264), the former generates large files than. File Size: Balance quality with file size. audio). Not so much for the colour space, but more so for editing - short of transcoding to something smaller in compression/screen size at post production stage, I'm wondering if DNxHD is less resource intensive and can play a lot better on a Mac. ProRes 422 and DNxHD definitely reduced the file size, but still too large. If your on a PC, I would recommend using DNxHD. But I just can't wrap my head around why Avid decided to limit the DNxHR codec options for proxy encoding and giving you four flavors of ProRes at the same time. DNxHD145 is similar to ProRes, DNxHD100 is similar to ProResLT, and DNxHD36 is similar to ProResProxy. July 31, 2013 at 5:16 pm. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. For example, if you are smart rendering to an MXF OP1a format, you must enable the smart rendering check box. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. 265 was designed to maximize quality on low bitrate streaming, especially 4k and 8k. DNxHD 220 is higher bitrate. Apple ProRes vs. Know Your Formats. We tried the update but this issue is a fundemantal. Alpha: Uncompressed. These formats are intraframe formats, not interframe formats. I’ve tried switching colorspaces from 8 to 16 to 32 bit, but I can’t seem to get a consistent black on my outputs. 10-bit 4kp60 Apple ProRes or Avid DNx for extended recording For the first time in a mirrorless camera from Sony there is also a 10-bit 422 HDMI video output option available. These formats range from extreme compression to minimal compression rates. 264. Report. 264, and just by being intra-frame the playback performance while editing should be. It has a target data rate of approximately. Avid DNxHD. . 265), and VP9. It has become a capture camera codec too since the workflow and path to post, make it relatively painless and the compression is perceptually lossless. Report. h264 is fine for normal playback, but in h264 compression the frames are compressed in groups instead of individually, which makes frame-accurate editing pretty difficult. Understanding these codecs and their applications can enhance your. Lightworks is coming out with a version for Linux soon ( and mac). com and includes DNxHD with four levels of compression (220x, 220, 145, 36) and DNxHR for 4K/UHD inputs with four levels of compression (HQX, HQ, SQ and LB). Offline/Online method: Make proxies in for example Davinci Resolve or Adobe Media Encoder or Shutter Encoder – again in an edit friendly codec like ProRes & generally at lower resolution than the original camera files. Avid DNxHD is a codec developed by Avid, the makers of the popular Avid Media Composer software. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. 42GB): and DNxHR are the codecs. 264 can deliver higher quality at lower bitrates because it uses long GOP encoding (among other tricks) which means you may need material from as far as 10 seconds away to reconstruct the image. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. You can change it to another one in the Parameter settings. DNxHD. Yes, ProRes 422 is vastly better than any H. The HR codecs just remove the number and the HD limitation. easyDCP(3) RGB and YUV422 JPEG2000 video mov, mxf Op1A, mxf Op-Atom – – yes Native, Kakadu RGB, YUV422 and YUV444 (8-bit, 10-bit, 12-bit each). The format in which you are smart rendering determines the option to smart render in these special cases. ProRes HQ and DNxHD are so close I haven't bothered testing them both. Adobe. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. Resolution: DNxHR HQX 10-bit. Have to do some more tests. Key Features. Studio for >=4k/Dolby P3D65. What Is The Difference Between ProRes and DNxHR? xap52. VEGAS Pro. 0 which will get clamped, they get lost regardless of 10 vs 12 bit. Bit-depth support is not OS-dependent, but codec-dependent. mov wrapper, which is going to be different from ProRes and DNxHD, as . Agreed with Pat on ProRes vs DNxHD - they're very similar. Neil. The place for questions about shooting with Blackmagic Cameras. This means that they're designed to be used to transcode footage from other sources into a form that's easy for video editing programs to work with while maintaining quality. Codec ini adalah codec standar editing di lingkungan Avid Media Composer. This requires to manually change these options, which I guess you cannot do - 4590400 Aug 19, 2022. Any lens that wide that isn't $10,000 is g. PRO RES VS DNxHD. The lens is still wide but you can crop the image in the menu giving you less barrel distortion. Tue Jul 26, 2016 10:42 pm. A codec is a specific schema for encoding video or audio data. Firstly on the Z6, you have to go into the menu under HDMI Advanced and select RAW Output and then choose to enable the RAW output. You can adjust ProRes video exports can from lossless to more compressed based on your particular needs. ProRes is built for editing speed, whereas H. I believe its PC vs MAC issue like ProRes vs DNxHD/GoPro Cineform. Internally all Avid CoDecs use a fixed Gamma and limit the color ranges by default. When comparing DNxHD vs. AJRubenstein wrote: The problem occurs with every flavour of DNxHD, in every combination I can think of - even when varying the levels, etc. DNxHD files come in several versions, including DNxHD 36, which is suitable for low-resolution editing, and DNxHD. ProRes on the Atomos Ninja V. I do have an unrelated question though - I am very interrested in purchasing a GoPro 3 Black edition - we actually sold our GoPro Hero2 just the other. so my guess is to use the DNxHQ 8 bit codec in Premiere and just set the frame size to 1920x1080 and the frame rate to 29. 6. 它是 Apple Intermediate Codec 的后继产品,于2007年与 Final Cut Studio 2 一起推出。. 26x and MPEG standards, the ProRes family of. Video Codec: DNxHR/DNxHD. in the form of codecs. Upvote Translate. Quality: 100. ProRes is widely used in the video industry and is compatible with both PC and Mac editing systems. Apple ProRes vs. The Apple ProRes 4444 Codec Family, comprising Apple ProRes 4444 and Apple ProRes 4444 XQ, are proprietary, lossy compressed, high quality video intermediate codecs designed to support high-dynamic-range imagery and motion graphics. A codec is a specific schema for encoding video or audio data. 12 posts • Page 1 of 1. H. VincibleAndy • 7 yr. Click OK. The "fast" ist the key here: edit codecs store every frame individually. ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 4320p60. Compressor 4. Daniel2 Codec Summary. As a result, ProRes 422 offers even better real-time editing performance. Apple ProRes is built in to the NINJA V and offers three levels of compression (HQ, 422 & LT). What advantages do these formats have over each other and. Report. ago. However, if you’re shooting a project with a short turnaround time, you can’t go wrong with ProRes. Since DNxHD is made by Avid, and ProRes is made by Apple, it makes sense that DNxHD would work better on Media Composer and ProRes would work better on Final Cut Pro X. I recentl. If you’ve ever tried to edit H. This is a subreddit dedicated to Atomos products. . 264 for possible quality though much bigger in file size. Posted August 12, 2020. Generally, video editing applications can work more nimbly with such media, and it can sometimes help to coerce esoteric source media from odd formats, or troublesome formats into. In a nutshell, ProRes exports always behave as though they were exported as RGB, regardless of whether. BMCC log mode yields about a stop or so better DR than Rec. So, unlike most h. Specifically good with AVCHD to Dnxhd or Prores. Ensure your audio tracks are properly. For each there is a standard and a. mov -c:v prores -profile:v 2 -c:a pcm_s24le output. It is 10-bit, which means it provides 1,024 shades of gray or shades of each color per pixel. I asked a similar question in the Arri section since the film was shot in the Alexa Mini LF. The main difference between DNxHD and DNxHR files is the frame size, with DNxHD files being capped at HD frame sizes, while HR (High Resolution) will handle anything up to 8K. Report. Since DNxHD is made by Avid, and ProRes is made by Apple, it makes sense that DNxHD would work better on Media Composer and ProRes would work better on Final Cut Pro X. Same files work fine in CC 2017 both Media Encoder and Premiere. Below is data taken from Nuke's online documentation on different bit rates you may use: • 1080p/24 350x, 175x, 175, 115, 36 (same at 23. Neil. This article contains everything you need to know about DNxHD codec. ProRes and DNxHD/R are codecs. atomos. The previous default was I-Frame Only MPEG. Delivery: ProRes & DNxHD Files. DNxHD is more like a low-loss (almost none) x264. Sun Dec 18, 2016 12:46 pm. In most cases, ProRes is a better choice than MPEG for. A codec is a specific schema for encoding video or audio data. With ProRes the. This means, for light to medium grading with just one recompression step, XAVC S is perfectly fine. The peer to peer support community for media production professionals. 264 for possible quality though much bigger in file size. Valid containers (mp4, mov, avi, mkv, web) for codecs in ffmpeg. If you have a properly tuned post production workflow then the amount of times you'll recompress an intermediate video is zero or once; the most common case is recompressing assets like. Different codecs encode files differently using different sample methods – ProRes vs DNxHD vs PNG vs Animaton vs DVCPRO. 99 or buy just the DNxHD part called DNxER Pro for $24. 1 x HDMI and 1 x 3G-SDI Outputs. Apple recently announced that its new iPhone 13 Pro and Pro Max could record in the ProRes format. You have to transcode to DNxHD on export. Thank you! Pro Res is a codec, MXF is a container. Any format (specially 10bit+) can preserve HDR data, it's just a matter of correct data mapping during export. Angka belakang menunjukkan transfer rate (DNxHD 220 artinya memiliki transfer rate 220 Mbps). The reason you see DNxHD 36 for 1080p 23. BluRay uses MPEG2 at 50 For ProRes 422 115M is about what you get at 1080p24. Remember, you'll switch to the main material for finishing. I create Apple ProRes 422 Proxies (all same settings except. ProRes 4444 XQ takes this further by using even less compression. ProRes 422. Seconding either DNxHD or Apple ProRes. As the 14-bit ML RAW tools improve, the 5D3 is indeed becoming a baby Alexa B). HQ/HQX is comparible in quality to ProRes and DNxHD/HR, so you will not loose any noticeable amount of quality (I always use HQX unless dealing with old standard definition footage. Apple ProRes is built in to the NINJA V and offers three levels of compression (HQ, 422 & LT). 2 or later for DNxHD/HR. 264 video, especially 4K you know it can be a stuttering. Well, bandwidth wise, the Proxy form of ProRes or dnxHR LB (low bandwidth) is going to be the best choice. 3 in place of the FFmpeg from your 20. Avid DNxHD 175x 10-bit. 264 100 Mbps': In regard to DNxHD, as mentioned, it behaves nicely when it is set to 'RGB Levels' for 4:2:2 10 bit, whereas to '709' for 4:4:4 10. Quote. If we receive something different than that we use media encoder to format it to ProRes Proxy 1920X1080. I have encountered a couple of issues with ProRes files that are specifically PC related. Avid used to use bandwidth values (36, 145, 175 etc) with the name of their codec. Translate. In fact, in my test, the DNxHD 115 codec also outperformed the ProRes (HQ). Another Windows alternative to DNx and ProRes is Cineform, which comes in both 10-bit and 16-bit variants. Fri Sep 20, 2013 5:17 pm. ProRes 1080 is around 115Mbps. ProRes codecs are all 10-bit 422 as is DNxHD 220x but lower bit rate DNxHD codecs are 8-bit 422 architectures. These profiles. Not bad at all. This is where the points I was making about delivery come into play. 94, DNxHD220 is similar to ProResHQ. 264: H. Community guidelines. If you’re exporting for say a live concert with LED screens, the difference will be noticeable, eg colour gradients will. Like you said you can always change to a HD project to encode to SQ. Video Output: RGB+Alpha. for use in post-production that supports video resolution up to 8K. 264 codec is widely used in video delivery/distribution. Please preserve the resolution, aspect ratio, frame rate, and color space of your project. Be better than them!The MainConcept ® VC-3 Encoder and Decoder SDKs for Avid DNxHD and Avid DNxHR are software-only components that enable application developers to integrate with production tools like Avid Media Composer and Avid Interplay storage solutions or cameras. ProRes is worse than DNx in every way. Anything else is just an implementation decision, so up to BM. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. Avid DNxHD vs. Avid DNxHDはアビッド・テクノロジーが開発する ノンリニア編集用コーデックの総称。 DNxHDは("Digital Nonlinear Extensible High Definition") の略。Avid Media Composer の編集時に比類なきパフォーマンスを発揮するように設計されている。 SMPTE (米国映画テレビ技術者協会)VC-3標準に適合した最初の. 98 footage but different numbers for other framerates is because the bit rate is tied to the frame rate. A quick overview of the target data rates for ProRes, DNxHD, and DNxHR in Megabits per second (Mb/s). Take a compact broadcast-quality record/playback deck with you. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. In this video I show and discuss the differences between. High-quality formats like ProRes offer excellent video and audio but come with larger file sizes. MPEG LA, L. On a PC, the Cineform 10-bit YUV or DNXHD/R options are both quite high in quality. DNxHD is a video codec intended to be usable as both an intermediate format suitable for use while editing and as a presentation format. There is no way of defining what am I. Hi, I have asked previously around the difference between the two codecs, but have not had the oppertunity to use both untill now. 97i (aka 29. Change the Sequence Settings to one of the following codecs for rendering preview files: ProRes, DNxHD/HR, or GoPro Cineform. Practically, there's some issues with DNx out of Resolve being interpreted in the correct color space in Premiere, but unless you're roundtripping with Premiere, that's not really a concern. Includes built-in support for Avid DNxHR ® and Avid DNxHD. At 5 minutes 31 second, IQ compared 4K vs 6. Both codecs are excellent options for post-production work and can help you achieve high-quality results. Cineform is an excellent alternative, but a bit slower on Macs. Re: DNxHD as rec. In terms of the GH5, it means that: the 1080p 10-bit 422 200Mbps ALL-I mode is likely to be roughly equivalent to 1080p Prores HQ which is 176Mbps. 94 fields/sec) for NTSC, or 25i (aka 25fps/50fields) for PAL. 17, 18, 19, 20, 21, 22Just as you pick different vehicles for different tasks, so, also, you pick codecs because they are best suited for that portion of a project. In premiere they show up just as soundfile and Media Encoder is black. (Note: DNxHD was the original name for this codec. greenysmac • 2 yr. and Apple ProRes 4444 fully support 4:4:4 image sources, from either RGB or Y’C B C R color spaces. Something like a 422HQ will have much higher quality than 422 proxy, but at the cost of being a much larger file size. You’ll be brought to a window that looks a little like this: Nothing complicated. Quick question: what are the advantages of using the most common non long-GOP codecs for editing (DNxHD/DNxHR and Prores) vs intra-frame H. For one thing, it will take a lot longer to upload your file. Avid DNxHR、DNxHD、Avid Resolution Independence を使用することで、ハイレゾ・メディアでの作業時に生じる課題に対応し、4K や 8K コンテンツの需要が高まる中、最も厳しい納期に対応し、創造性を発揮しつつも作業スピードを上げて進めることができます。According YouTube below X-H2s only one camera provide built-in internal Apple ProRes 422 LT video recording feature. It's not a serious issue. DNxHD 145 is a 1920x1080 frame , 4:2:2 chroma at 8bits and 29. New Atomos Ninja / Ninja Ultra. A quick comparison between each of the 4k codecs offered on the Atomos Ninja V. Apr 19, 2018. Conclusion. Apart from ProRes formats it also offers DNx. DNxHD usually uses the bitrate as the flavor name, DNxHD 36, DNxHD 175, etc. The other option that is used with prores is the -pix_fmt option. I don't have access to a Windows PC capable of running Resolve, yet, so I have some questions:The two are very much equal to each other, but the differential is ProRes is designed by Apple so isn’t always supported in Windows programs, whereas DNx is more universal when it comes to computer OSs Both Resolve and Premiere support importing both codecs, but Resolve doesn’t support exporting ProRes on Windows machines. In most cases Quicktime is a bad idea on Windows machines, except GoPro Cineform. Avid DNx requires free activation via my. DNxHD145 is similar to ProRes, DNxHD100 is similar to ProResLT, and DNxHD36 is similar to ProResProxy. If it's not 10 bit, then you're totally fine with DNxHR SQ. File sizes are considerably larger with ProRes or DNxHD but I’ll take a larger video file size that I can easily work with over a. Not bad at all.